CONCEPT. WRITE. DIRECT.

I’m a director, concept developer, and writer with a focus on emotionally grounded, visually driven storytelling. From branded content to narrative film, I bring ideas to life from pitch to post. I also edit and animate—bridging creative and execution to ensure a cohesive final product. Whether leading on set or building stories in the edit, I thrive in shaping work that connects.

PORTFOLIO

  • I served as Assistant Director on three fast-turnaround commercial shoots, including a Super Bowl spot that reached over 10 million viewers and boosted brand awareness by 75%. Social engagement spiked 270%, with TV recognition responses doubling.

    For the Super Bowl spot, our team pulled off what usually takes 6–8 months in just 6–8 weeks—on a $30K budget (vs. the industry’s $1M+). I led pre-production logistics, created storyboards, schedules, and production books, and coordinated departments to align with the director’s vision.

    By the third spot, I stepped in as co-writer, leveraging my film background to help shape scripts, run timed read-throughs, and ensure tight, punchy storytelling. On set, I ran point on scheduling, 2nd unit direction, and B/C cam shots—keeping production on time, on budget, and injury-free.

BULLY FREE SUPER BOWL COMMERCIAL

SMALL BUSINESS BROADCAST COMMERCIAL

TRAINING DAY BROADCAST COMMERCIAL

  • The Customer Success series features mini-documentaries highlighting Wintrust’s business clients and the impact of personalized banking partnerships. Each piece is crafted to feel human, grounded, and brand-aligned—elevating customer voices while reinforcing Wintrust’s community-first mission.

    As Video Director, I led story development from concept through production. I collaborated with clients and internal stakeholders to shape narratives that aligned with business goals, conducted pre-interviews, scouted locations, and partnered with producers and writers to build clear, compelling pitches. After presenting our direction to leadership, I created detailed production books and schedules to keep shoots efficient and cohesive.

    On set, I directed interviews and b-roll, kept the crew on pace, and made sure the tone and visuals remained consistent across the series—even while working under accelerated timelines and shifting priorities.

ALAMODE BROADCAST COMMERCIAL

ELI’S CHEESECAKE BROADCAST COMMERCIAL

LIBERTY CREATIVE SOLUTIONS BROADCAST COMMERCIAL

MEATS BY LINZ BROADCAST COMMERCIAL

BONE ROOFING BROADCAST COMMERCIAL

VILLAGE OF LANSING BROADCAST COMMERCIAL

  • Shot in Manchester, UK with a UK-based crew, BULL MAN is an erotic horror short exploring female rage, sacrifice, and forbidden desire. As Executive Director and Writer, I led the creative vision from script to screen, co-crafting a 10-minute proof-of-concept that stands alone while teasing a full-length feature.

    We successfully crowdfunded the project, raising $3,850 from 72 backers—128% over goal—through a campaign I co-led, handling strategy, outreach, and social rollout to build early buzz with our alt-horror audience.

    Our cast includes Kae Alexander (Game of Thrones, Bad Education) as our lead, and Lisanne Falk (Heather in Heathers), lending star power and genre cred to the project.

    On the creative side, I wrote the script and shaped the visual world alongside the director—from pink-curtained “womb” interiors to a tight, jazz-like dialogue rhythm. During production, I oversaw execution across departments to maintain cohesion and elevate the film’s tone and texture.

    BULL MAN is a slow-burn, sexy scream for fans of Eyes Wide Shut, Barbie, and The Witch—a darkly elegant horror for A24 femmes.

    FYI: I edited the sizzle and trailer reels

Sizzle Kickstarter Reel

Trailer 15s Social Video

Short 10 minute Film

  • I write emotionally charged, atmospheric screenplays that blend psychological horror, feminist themes, and bold visual storytelling. My work centers complex women navigating transformation, desire, and power—often set in surreal or heightened worlds. I bring professional experience as a work-for-hire screenwriter, and my scripts have been highly rated on competitive platforms like The Black List.

  • Feature Script – Body Horror Biopic

    A surreal body horror biopic about performance artist Marina Abramović, exploring the limits of endurance, identity, and art as sacrifice.

    I was hired as a work-for-hire screenwriter by a Los Angeles production company to develop the treatment and write the first draft. The project is currently under consideration at Warner Bros.

  • Psychological Fantasy Feature

    Post-suicide attempt, a dancer seeks to uncover traumatic memories, while her soul battles those from Shado-World who try to prevent her from remembering.

    This script received an 8 out of 10 on The Blacklist (only 5% of scripts receive this rating). This is what led me to be hired to write THE ARTIST IS PRESENT.

  • Horror TV Pilot

    A Medical Assistant desperate to pay for cancer treatment answers a mysterious ad for a Night Nurse. The stakes are raised when she discovers her employers are vampires who auction off children as blood sources to other vampire clans.

    This script has placed highly in several screenwriting competitions.

  • Sci-Fi TV Pilot

    When a teen piano prodigy sabotages her narrative thread and subsequently those around her, the writers scramble to regain control before the story engine collapses into chaos.

  • Horror Short Film

    A traumatized preteen girl morphs into an evangelical monster at a weekend church camp.

  • Romance Horror Short

    Shot in Manchester, UK with a UK-based crew, BULL MAN is an erotic horror short exploring female rage, sacrifice, and forbidden desire.

    As Executive Director and Writer, I led the creative vision from script to screen, co-crafting a 10-minute proof-of-concept that stands alone while teasing a full-length feature.

Contact me

Interested in working together? Fill out some info and I’ll will be in touch shortly. I can’t wait to hear from you!